‘Do you think people are doing it?’ he asked.

‘I do. The steam of so much boredom, and discontent and anger out of all the people, just kills the vitality in the air. I’m sure of it.’

‘Perhaps some condition of the atmosphere lowers the vitality of the people?’ he said.

‘No, it’s man that poisons the universe,’ she asserted.

‘Fouls his own nest,’ remarked Clifford.

The chair puffed on. In the hazel copse catkins were hanging pale gold, and in sunny places the wood–anemones were wide open, as if exclaiming with the joy of life, just as good as in past days, when people could exclaim along with them. They had a faint scent of apple–blossom. Connie gathered a few for Clifford.

He took them and looked at them curiously.

‘Thou still unravished bride of quietness,’ he quoted. ‘It seems to fit flowers so much better than Greek vases.’

‘Ravished is such a horrid word!’ she said. ‘It’s only people who ravish things.’

‘Oh, I don’t know...snails and things,’ he said.

‘Even snails only eat them, and bees don’t ravish.’

She was angry with him, turning everything into words. Violets were Juno’s eyelids, and windflowers were on ravished brides. How she hated words, always coming between her and life: they they did the ravishing, if anything did: ready–made words and phrases, sucking all the life–sap out of living things.

The walk with Clifford was not quite a success. Between him and Connie there was a tension that each pretended not to notice, but there it was. Suddenly, with all the force of her female instinct, she was shoving him off. She wanted to be clear of him, and especially of his consciousness, his words, his obsession with himself, his endless treadmill obsession with himself, and his own words.

The weather came rainy again. But after a day or two she went out in the rain, and she went to the wood. And once there, she went towards the hut. It was raining, but not so cold, and the wood felt so silent and remote, inaccessible in the dusk of rain.

She came to the clearing. No one there! The hut was locked. But she sat on the log doorstep, under the rustic porch, and snuggled into her own warmth. So she sat, looking at the rain, listening to the many noiseless noises of it, and to the strange soughings of wind in upper branches, when there seemed to be no wind. Old oak–trees stood around, grey, powerful trunks, rain–blackened, round and vital, throwing off reckless limbs. The ground was fairly free of undergrowth, the anemones sprinkled, there was a bush or two, elder, or guelder–rose, and a purplish tangle of bramble: the old russet of bracken almost vanished under green anemone ruffs. Perhaps this was one of the unravished places. Unravished! The whole world was ravished.

Some things can’t be ravished. You can’t ravish a tin of sardines. And so many women are like that; and men. But the earth...!

In the middle of the floor of the empty room was huddled the figure of an enormous man, his clean-shaven, swarthy face grotesquely horrible in its contortion and his head encircled by a ghastly crimson halo of blood, lying in a broad wet circle upon the white woodwork. His knees were drawn up, his hands thrown out in agony, and from the centre of his broad, brown, upturned throat there projected the white haft of a knife driven blade-deep into his body. Giant as he was, the man must have gone down like a pole-axed ox before that terrific blow. Beside his right hand a most formidable horn-handled, two-edged dagger lay upon the floor, and near it a black kid glove.

“By George! it’s Black Gorgiano himself!” cried the American detective. “Someone has got ahead of us this time.”

“Here is the candle in the window, Mr. Holmes,” said Gregson. “Why, whatever are you doing?”

Holmes had stepped across, had lit the candle, and was passing it backward and forward across the window-panes. Then he peered into the darkness, blew the candle out, and threw it on the floor.

“I rather think that will be helpful,” said he. He came over and stood in deep thought while the two professionals were examining the body. “You say that three people came out from the flat while you were waiting downstairs,” said he at last. “Did you observe them closely?”

“Yes, I did.”

“Was there a fellow about thirty, black-bearded, dark, of middle size?”

“Yes; he was the last to pass me.”

“That is your man, I fancy. I can give you his description, and we have a very excellent outline of his footmark. That should be enough for you.”

“Not much, Mr. Holmes, among the millions of London.”

“Perhaps not. That is why I thought it best to summon this lady to your aid.”

We all turned round at the words. There, framed in the doorway, was a tall and beautiful woman — the mysterious lodger of Bloomsbury. Slowly she advanced, her face pale and drawn with a frightful apprehension, her eyes fixed and staring, her terrified gaze riveted upon the dark figure on the floor.

“You have killed him!” she muttered. “Oh, Dio mio, you have killed him!” Then I heard a sudden sharp intake of her breath, and she sprang into the air with a cry of joy. Round and round the room she danced, her hands clapping, her dark eyes gleaming with delighted wonder, and a thousand pretty Italian exclamations pouring from her lips. It was terrible and amazing to see such a woman so convulsed with joy at such a sight. Suddenly she stopped and gazed at us all with a questioning stare.

“But you! You are police, are you not? You have killed Giuseppe Gorgiano. Is it not so?”

“We are police, madam.”

She looked round into the shadows of the room.

“But where, then, is Gennaro?” she asked. “He is my husband, Gennaro Lucca. I am Emilia Lucca, and we are both from New York. Where is Gennaro? He called me this moment from this window, and I ran with all my speed.”